Illinois

Jam Alker -Breaking Barriers

Photo by Bill Whitemire courtesy Jam Alker

When musician Jam Alker entered treatment in 2014 he took his guitar with him and began writing songs about his struggles. He discovered the creative process allowed him to lean into his feelings instead of trying to numb them. Now Alker takes his message of music's healing powers across the country, playing concerts, speaking to students, and leading workshops. He also works with Recovery Unplugged. You can learn more at www.JamAlker.com.

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The feeling produced by heroin was unlike anything I'd ever experienced before.

It is not a high like smoking a joint or having a few glasses of wine.But it is a euphoria. At least in the beginning.

There is a rush of pleasure, warmth, contentedness. Everything feels like it's going to be all right. It feels like a mother's love.

That's how it starts. But it doesn't last

I grew up everywhere. I was born in England, moved to the States when I was three. A lot of violence, upheaval in my childhood. One of my first memories is my father walking towards me, sort of staggering, wide-eyed with blood gushing down his face, and my mom breaking a whiskey bottle over the top of his head to stop his violent advances.

Shortly after that, my mom picked me up on the way home from a friend's house one day when I was five years old. We got in the car. The next thing I knew we were in Las Vegas.

She then married another violent alcoholic. Spent a few years with him until he, in a violent rage, destroyed the house.

I thought my mom would grab me and my brother, put us in the car and take us somewhere else. Instead, she stayed with him, put us in a bus across the country to go live with my father.

Stayed with him for the next eight years, moving around the country. In that time I saw my mom two, maybe three times, till I was in 10th grade and my dad couldn't be violent towards me without me retaliating. So he sent me to go live with my mom who was in Chicago.

Moved in with her in 10th grade. Was on my own by 11th grade. Finished out high school and moved down into the big city, deciding that I was going to become a famous musician.

So I started playing in bands. Had some success. Did some touring, made some albums. And in that lifestyle there are certain things that are accepted, if not celebrated.

I'm talking about the distracting behaviors, the numbing behaviors, the desire to find comfort on the outside that I now know only comes from the inside.

My addictions were more my ego. Chasing after fame, after power, after prestige, after love, after relationships. Wanting people to love me to make me feel important because I didn't feel important inside.

I had that thing inside of me that so many addicts and alcoholics talk about: this hole in their soul, this hole inside of them that they've never been able to fill. This discomfort.

And we're taught that the answer to that hole inside, the way to fill it, the way to find that internal happiness is through external means.

And so I bought into that. I didn't know any different.

So then I thought it would be money. And I made a ton of money.

From the outside world looking in, you would think at that point that I had everything.

I was well on my way to becoming a millionaire. I owned a recording studio and a record label. I had toured the country, signed autographs, had music that had been played on the radio.

But I was miserable.

And then I was introduced to heroin, to opiates. And opiates are physical painkillers, but opiates are also emotional painkillers.

So that thing that I had been trying to fix, that hole I've been trying to fill it that I never been able to. I would not been able to fill that hole, but this at least numbed me to that pain.

It wasn't long before the money was gone. The property was gone. The recording studio was gone. The record label was gone. Many of my closest, dearest relationships were gone.

And I gave all of these things away, for heroin.

I didn’t lose half a million dollars on a couch cushion somewhere.

I didn't misplace that recording studio or that record label in the back of a cab in a hurry one day in downtown Chicago.

And I didn't misplace some of my dearest relationships.

I gave those things away.

In that 10-year period, I gave all of those things away because heroin, opioids, became all that mattered in my life.

So that's where I was.

And four years ago, I finally surrendered and checked into a treatment facility and I brought my guitar with me, honestly thinking it was just going to help me pass the time. I hadn't picked up my guitar almost at all over the decade in the deep dark hole.

I began writing again. I began writing about all of the experiences that I had been through, and all of the discomfort that I was going through there in early recovery.

I decided I wasn't going to get high anymore. That meant all of those things that I had been burying my whole life, all of the things that I had been numbing myself to, I was going to have to start to deal with those things. I was going to have to start to process those things.

Or I was in danger of going back out and I knew the next step for me was death. I had no doubt where I was headed.

So I picked up the guitar, and it's just my own form of therapy, I began writing. And I finally felt connected spiritually.

And things started to happen and I continued to cultivate that contact with the creative source -- whatever that thing is -- and I began to heal some of my deepest wounds.

I wrote a few songs. I started to share them with some of my peers in my unit, and some really significant, impactful moments started to happen.

You know, addiction is about isolation. Recovery is about community. And community can happen on a large scale coming together, but community can happen one-on-one as well.

It's empathy, when I feel what you feel, when you feel what I feel -- that connection, that is community. And that's what recovery is about.

And these guys in my unit with me started to come to me and say, "You're able to put into words some of the things that I'm feeling. Thank you.”

And I realized at that moment, that the only thing that ever truly filled that hole inside of me was helping others, being of service to others who had no way of repaying me.

I knew that this was my path.

I started a therapeutic music program using some of the music I had written in recovery where we do a lyrical analysis of one of my songs called Crows.

And the song, Crows, is a story-song about a broken man who's sitting outside of a church, sort of reviewing where his life went. He doesn't know how he ended up where he is.

But it's very open for interpretation. It's metaphorical rather than literal.

When I do the group, I'm trying to get the clients to start to touch on what their own traumas are, the reasons why they ended up there in treatment.

So I'll play the song, and I'll hand out the lyrics to the clients and we'll do a lyrical analysis.

So we'll read the first stanza, the first verse, which is In the front of the church on a concrete step, a low paid man rests his head. He sat down to catch his breath, can't quite figure where it went well.

And then I'll say, “Let's talk about that. Let's make up a narrative of what's going on. Why is he sitting on the step? What does the church represent? Why is he resting his head? Why is it a concrete step?”

And people will start to talk. And in order to create the story, to create the feelings, to create the images behind the story, they have to touch on their own experience.

They’ll say, “He's there because nobody loved him.” “He's there because he was kicked out of the house.” “He's outside of the church because of his resentments towards the church.”

Well, where are they getting these ideas from? They have to get it from their own experience.

“Why is he resting his head?” “He's tired.”

“Okay. It's a low paid man. Does that mean that he has to be poor monetarily? Okay, how else could he be low paid?”

“Spiritually?” “Nobody loves him.”

All of these things, and then people start coming out and they get excited about it and we create this entire narrative behind the song.

And at the end it's a very cathartic experience for these folks. And they love it and I let them know at the end that they just did their own form of therapy.

Now, if I were to have walked in and said, “Let's talk about when you were at your lowest and you were sitting there thinking, What is the point of life? Why am I doing this?

Nine times out of 10, they're going to shut down and they're not gonna to want to talk about it.

But by doing it this way, it almost tricks their trauma into putting down its guard a little bit. It doesn't realize that it's what's coming out.

Oh, we're talking about that guy that poor broken man sitting outside the church. We're not talking about my experience.

And so it takes down the barriers.

And that's what you have to do in recovery.

You have to bring down those barriers and allow yourself to open up, be comfortable being uncomfortable.

Be comfortable being vulnerable and allowing these things out because these things, these traumas, are the things that we bury.

And that discomfort becomes unbearable.

And there's only so long -- particularly those of us who have substance use disorder, those of us who are sitting early in recovery, trying to figure out a way to manage all of this discomfort --there's only so long you can sit with that or try to bury it before that voice will come up: This is too much. We're just going to go out, just today. We can deal with it again tomorrow, but just for today, it is too much. I can't bear it. I need a drink. I need a hit. I need a shot.

And eventually that voice will convince you.

Or the other option is to learn how to process these things as they come up.

I'm Jam Alker and this is my story.

Lisa Curtin -My Mom Was Addicted

In the late 1990s, Lisa Curtin's mother read about a new drug called Oxycontin, and then nothing was ever the same for Lisa or her family.

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All through our years of growing up, my brother and myself, my mother struggled with alcohol before she got addicted to drugs.

My earliest memory is when I was about 6 years old, and my brother who’s eighteen months younger than me, was four and a half, you know, she was on a bender, just drinking like crazy, my father was traveling. She told my brother and I to pack our clothes. We were going to have to live in an orphanage because my brother and I were fighting with one another and she couldn’t handle it.

She literally made us go pack our clothes. A stranger came to the house to pick us up. She put us in a car with the stranger and the stranger took us to a grocery store parking lot. And in the grocery store parking lot, he just turned to us and said, “You know, you just have to start listening to your mom. She’s just sort of at her wits’ end, and if you don’t listen to your mom then you know, you’re not going to be able to live there anymore.” He brought us back to our house then.

And I don’t for one minute doubt that my mother loved myself and my brother. I don’t doubt that at all. But I realize that you can’t compete against a bottle of vodka. You cannot compete against whisky. And you can’t compete against prescription drugs. It just doesn’t happen.

When she was around 50, she diagnosed herself and convinced a couple of doctors at the time that she had fibromyalgia. This was her ticket to freedom. Very difficult to diagnose. She was smart enough to figure out ways to pretend that different pain points in her body when touched would be sensitive to that touch, and she then started to get prescription drugs.

It started with Vicodin, at first. Because sometimes she would not eat, physical things would actually happen, like she would actually trip.

One time she, you know, broke a toe on her foot. My mother, my daughter, Amber, and I were going on a trip together on a plane ride. She was on a crutch and her toe was casted and we get to Alabama, and my mother forgot her medication at home.

So, when we were in the hotel room, she unwrapped her toe, reinjured it which then caused us to spend a good portion of the time in the emergency room so that she could have another x-ray on her foot and get pain medication. Now she’s got you know, a supply at home and now she’s got a supply while we were on vacation so when she gets home she has a great party ahead of her because she’s got all this medicine.

The things that she did, the way she sort of manipulated situations to be able to get what she needed to get is no different that someone who is on a corner, you know, looking for a way to be able to get a quick fix.

All through my mother’s fifties, she struggled with some sort of illness, one way or another, that was causing her to get prescription medication. And then my father had his stroke. So the year would have late ‘96. My mother met a doctor – and I’m getting chills just thinking about it right now – who turned her on to Oxycontin and that’s when it really just started to go down.

At first, it seemed to be like good for her, in that she didn’t seem to be in pain and she had a better frame of mind, and she was gentler toward my dad and more sympathetic toward my father’s situation. But after awhile, she would just track when she would take her pills, and I have 3x5 cards of her handwriting of how she was like monitoring when she was taking the prescription medication, because I think she was trying to convince herself that she wasn’t actually taking more than she should. But she was. And it was an endless supply.

This also started a trend where she would overdose on a fairly regular basis. At least five times which usually was she took too much of her Oxycontin, she didn’t eat. Once in awhile she would mix it with alcohol. She’d go to the emergency room. I’d get a call and I’d get there, and I’d say to the doctor, or the emergency room physician, you know, “Test her blood alcohol count or test her for, you know, morphine or whatever. Just test her for something because I’m sure that she’s overdosed. It’s not that she just fell or that she’s disoriented.” And she would deny it, you know, she was always in denial about this. Constantly in denial.

Sure enough, you know, the next day they’d come back with test results and her blood alcohol count was really high or the presence of opioids in her system was really high. But still the doctor continued to prescribe them to her.

There was a time when my mother overdosed. I walk into the emergency room. I could hear my mother’s voice asking for morphine, that she was in pain, I want this, I want this, I want this drip. And they ended up giving her the drip. But then I went back to her apartment. I found thirty–seven prescription bottles of medication from four different doctors. Most of them had like one or two pills in them. But all either for Vicodin or Oxycontin.

And I brought all that medication to the hospital. And when I saw her doctor, I showed him. =I go, “This is what you’re dealing with. =She’s going between Illinois and Wisconsin. She’s going across the state borders to get medication.” And the doctor who I think was the worst influence in her life, you know, he just seemed to ignore it. He didn’t think it was like that big of a deal.

All I think about from the time I was 6 years old and I’m 58 years old now, that’s a long time, that’s 52 years of trying to figure out how the hell to take care of a woman who doesn’t know how to take care of herself, or anyone else, and refuses to get help.

The memory of all this stuff that went on with her still lives with me every single day. Every single day.

My mother passed away in 2006. It was actually my grandsons’ second birthday. I had gone to the doctor with her two weeks prior. And I told the doctor once again that my mother’s best day of her month is when she comes to see you, to get her prescription refilled. The doctor said to me, “Well, you know, your mom’s in pain. And she – you know, I don’t think this is an addiction. You know, this isn’t a drug that’s addicting.”

And I said, “She doesn’t even eat. She’s either falling in the bathroom or she’s falling, you know, in the living room or whatever. When they take her to the hospital you end up coming there, and she gets what she needs. So she’s figured out a way to get a fix until she can get the next prescription filled. This is a pattern and you’re not helping at all. I’m like powerless to do anything about it.”

The doctor still filled her prescription. And the twins’ second birthday was coming up. nd so she was going to come with us, and I was really excited that week because I thought, Ok, that would be great. You know, she’s going to come. This is going to be wonderful for her. And she called and said that she wasn’t able to make it. She wasn’t feeling very well.

I just had this weird feeling all day long. I tried calling her several times. I couldn’t reach her. She did end up calling me back, and she said, "I just want to lay around anyways, I don’t feel good." And I said, "Well, okay, we’ll talk on Monday."

So Monday came and Monday night came, and I still -- I hadn’t heard from her and I kept calling her. Finally, I called the apartment building that she was living in and I asked them to do a ‘check well-being’ on her.

She was gone. She was gone.

And I’m like Okay. I was at work and it didn’t really even sink in, you know. In a way it was sort of like, She’s gone so it’s like relief. But I know that sounds terrible.

But on the other hand it was like Oh my God, my mom’s gone and I never could fix her. I could never get her to understand herself. I couldn’t even get her to understand me. She didn’t even get that.

Nobody has ever once been on my sidelines except for my kids saying, You can do it! You can move forward. You know, we’ve got your back. And I wanted my mom to do that, and she couldn’t. And then I couldn’t save her either.

And so, you know, on the day when I’m having a good time with my twins’ birthday party, when they’re two, she’s laying in her bed, dying.

We got the autopsy results, and she died of morphine toxicity. The last year of her life was all about going to the doctor. You know, I took my pill this morning and so, I feel better and you know, I’ll take another one a little bit later today.

That’s all it was. Every single thing was about that particular pill which made her life so much better than everybody and everything else around her.

If I was able to sit in the front of the doctor today, I would like to say to him: If family members are involved in the patient’s life, and they’re telling you the best day in that patient’s life is the day they get to come and see you because they know they’re going to get their prescription refilled, and how this is destroying, actually, the entire person that’s sitting in front of you, that is your patient -- it would be really great if you could just listen.

*And I don’t know if the motivation for writing the prescription is related to great incentives for doctors. I don’t know if that’s the reason.

I don’t know if you really felt sympathetic to my mother because you thought that she really was in pain. However you really only saw her for like seven minutes a month, so you didn’t really know her.

And maybe it was just the time, late 90’s, early 2000’s. Maybe enough wasn’t known. I don’t know. Although I find that hard to believe because it’s highly addictive even though it was toted originally not to be.

It would just have been nice if you just would have listened.*

My name is Lisa Curtin and this is my story.